SciFi Author

Blog for author J. R. O'Connor

Blog for author J. R. O'Connor


  • Too much to do, so little time….

    Posted on by admin Comment

    I’ve been pretty busy, unfortunately not with writing. I started a new full-time gig in February, and also moved to a new house at the same time. Getting used to the 8-to-5 grind, a long drive, and finding energy and time for everything else, has been tough. Who knew there were so many day-walkers? The regular checks are nice, as is the new house. It is a peaceful place in the country, and perfect for writing.

    I have some personal writing goals I’ve set and committed to reach in the coming months, and trust that you will start to see more regular postings here soon.

    Live long and prosper!

    Jenni


  • Happy NaNoWriMo!

    Today starts the “National Novel Writing Month”, or NaNoWriMo, where the challenge is to write 50,000 words in 30 days.  It really is a worldwide, not a national thing, so it really should be “WoNoWriMo” or something like that. The point is to get people into the habit of writing daily, which is important and hard to do when you have things like, oh, a real job that pays your bills.

    As a freelance 3D artist (www.4da-inc.com) I often get periods of time where there are no new projects, or things drag on with a project, and have the opportunity to write, sometime a lot. I’ve just gone through four project deadlines all happening between Friday and Monday, with revision on one project out the door this morning, and another deadline this Friday AM for preliminary work for final images on Monday.

     


  • The Brain and another Short Story

    The Brain (www.thebrain.com) now has a beta for version 7, which looks pretty cool.  I’m still exploring.  The brain ‘plex’ for the book is now at 8,233 thoughts covering everything from the book (characters, plot, scene-by-scene notes), to the craft of writing, to everything in science and technology that I’ve collected on the past, present, and future.

    Here is a snapshot of the brain plex:

    Brain Plex October 2011

    The Brain Plex as of October 2011

    You can click on the image to see a larger image, or click here. See if you can figure out some things on the book, or at least find the words “Seizure Monkey”.

    Over the past couple days I’ve written the first (4800 words), and edited down to the second (3900 words), a new short story based on some of the characters in the novel.  The story is called “Launch Day”, and is a departure from the plot, but good practice nonetheless.  I’m going to be submitting this to a competition at the first of the month, so more soon as the story is refined.

    Jenni

     

     


  • “The Tormentor” short is now available

    In honor of “Coming Out Day” and the “It Gets Better” campaign, I have posted “The Tormentor” short story.  #noh8 #itgetsbetter

    http://www.scifi-author.com/Shorts/The_Tormentor.pdf


  • “The Tormentor” short completed

    Well, as complete as anything ever is.  There is an old adage in computer programming that goes, “The only program that is complete is one which is abandoned.”  The same holds true, I believe, for literature.

    The short story tops out at 18 manuscript-formatted pages and 6005 words.  It is in its second draft, essentially, but ready enough for my Lakes Literary League meeting tonight at www.lvdl.org.  As soon as I had copies printed I saw a missing word in a sentence, so I’ll see if anyone catches it.  Once it has a little more time to brew I’ll see about submitting the story to Sci-Fi magazines, but I may need to pare it down a couple thousand words.

    In this story I wrote in first person present-tense, and that proved to be a challenge as it is not a very natural way to write.  Most things are past-tense that you read.  I had to make many passes through just to catch the tense errors.  It is too long to read to the group so I’ll send them along with copies and see what the feedback is next month.  In the meantime I’m going to start on the next short story, and I have a number of ideas, things related somewhat to the backstory of the novel.

    Jenni


  • The Tormentor

    Yesterday I took a break from the novel and wrote a 17-page (5400 word) short story entitled “The Tormentor”.   It  is dark at times, hopefully funny at times, and hopefully a good story throughout.  I’ll let it gel a bit and see how it looks in a week.

    The story started as an inkling that I had just the day before.  I’ve been reading Ray Bradbury’s “Zen in the Art of Writing: Essays on Creativity”, and took some of his advice to heart.  Ray created lists of things that he loved and hated, lists of random nouns (“The Crowd”), and lists of book titles to help inspire himself and give himself fuel for his stories.  In the writing group I meet with several of the members do these “First Line” contests where a first line is given and you create a story from there.  I had already done some lists of book titles and random words and phrases that could be the seed of a story or scene in the book, but based on Ray’s lists I decided to create separate notes in Evernote for the things I love, hate, book titles and first lines, respectively.  In each note I made a short list off the top of my head and then throughout the day I added things as I thought of them.  I read an article on a kid that committed suicide because he was being bullied (IE: criminally harassed) and I added bullying to the list thinking “Why the heck didn’t I think of that right away!”.

    Making the lists helps to keep it in-mind and at the ready.  It seems like a source of not only inspiration but of passion.  I didn’t call the list “Dislikes” I called it “Hates”, and hate is a powerful word, a powerful feeling.  Today I’ve added a note for ‘Fear’, since that seems to be distinct.  Perhaps I need a few more emotions, too, or at least separate ranges within the same note.  Some things I dislike but don’t hate, and some things I truly hate.

    This short story started out as a title and quickly cascaded into a number of related ideas, mostly based on things I hate.  Something I hate is not something that I want to connect with personally, so to write about it and the acts of perpetrating those hate crimes, is not comfortable.

    Ray talks about writing with abandon, without self-editing, with passion above all else.   This was an exercise in doing just that.  I failed at getting all the way through in one shot without going back through, but for me that is the nature of my creativity and process.  I’m working on it.  It is gratifying to know that the guy that wrote “Fahrenheit 451″ in nine days in one shot took a while to figure out his own process.

    I think that writing the short story has changed my perception a bit on chapters for the novels, and if I approach each chapter like a short story that is part of a larger story, perhaps things won’t seem so daunting at times.  One page at a time, eh?

    What makes your blood boil, your heart race, your mind soar?  Can you go dark and explore not only your hates and fears, but to write a character that expresses those feelings and actions to the extreme?  The story could be darker, but I think it is accurate for the age of the characters, seniors in High School.

    More soon.

    jenni


  • Progress

    At this moment my “Personal Brain” plex for the book is at 7900 thoughts which is comprised of thoughts including character traits, plot lines, technology, musings on the future, information on writing craft, and much more.  It is an invaluable part of the engineering I’ve been naturally doing as part of my own process of developing the book.

    I’ve also been working on a more detailed outline for the book to further define all of the major plot points, and that is around 7000 words.  In total I’m at 23,000 words not including the plex, and need to get my little butt in gear and compete the first draft.  The goal is January 1st for the first draft, complete, start to finish, plot holes and incomplete chapters no matter.  I’ve gotten to the point where researching and developing has been fun and interesting, but it also detracts from actually writing.  It makes me feel good that I am actually doing something towards the goal, but at some point it is only marginally helping me achieve that goal.  The same with reading about writing (sounds odd, doesn’t it?)  Time to put more of this new-found knowledge into practice, and time to let the research rest and write.


  • Faster Than Light (FTL)

    This past week the world of physics was stunned with the news from CERN that they had possibly detected FTL particles.   The thing that fascinates me the most at the moment, and is directly related to the book, is physics and the notion of faster-than-light technology.  Ever since Star Trek original  series (STOS) the concept of FTL spaceflight has been very mainstream in the collective consciousness.  Certainly the Warp Drive was a central element in many of the problems that the crew needed to overcome to escape their predicament-of-the-moment, and was also a plot device that allowed them to visit all the wonderful alien worlds in the Star Trek universe.

    Other than the disappointing beer factory in the last Star Trek movie (2009), the engines and behind-the-scenes tech of Start Trek were always fun and interesting for me to see.  I can’t get past the beer vats-as-engine-room, or having communications officers and desks in the engine room of a ship larger than the original Enterprise.  Please think a little, people.  Yea, its shiny, but a noisy engine room is not for comm officers.  Other aspects were real-feeling and I liked that.  The Enterprise bridge looked great, as did many other things like the shuttles and shuttle bays, but don’t get me started on where things just didn’t make sense.  Perhaps for another day.  This lack of sense in the technology, and lack of a cohesive plot in many mainstream stories, is part of what drives me to create my own stories, my own universe, my own plots.

    At least in the Star Trek universe things are pretty consistent, save for some items that shouldn’t be that fast but are, like warp-driven probes with no visible warp engines.  In the Star Wars universe if you look at the variety of ships that exist it is hard to guess what underlying tech might be in there.  I think the ship with the solar sail that unfurled is the one that broke my suspension of disbelief the most.  I see that each planet may have developed its own FTL tech, but there are too many different possibilities for how physics would work.  And FTL would need some serious power, and these ships are often not big enough for the crew let alone engines and a power plant to drive it all.  In Battlestar they all jumped in a similar way, so at least it was consistent.

    The underlying technology of the Star Trek warp drive has evolved and been refined over the decades into something that makes some sense to fans and physicists alike, and books like “The Physics of Star Trek” by Lawrence Krauss and “Physics of the Impossible” by Michio Kaku lend some credibility to the mystery and magic of FTL flight.  Is it really possible?  I’ll tell you that I’m continuing a lifelong fascination with future technology and absorbing everything that comes my way, particularly on physics and the possibility of FTL.

    For the novel I am working hard to find my own path to FTL based on where I think physics will be in 100 years time.  Michio thinks it will be ten times that long before we get FTL, and perhaps he is right.  I’m betting on 100 years for this to emerge, to be just at the cusp of realizing this tech.  The universe is amazing, and look how far we have come in the past 100 years since Einstein emerged onto the physics scene.  All things are possible.

    I’m avoiding anything that resembles a Star Trek warp drive, but that is harder than you think unless you just make it all ‘magic’ and ignore the “how”.  In the new Battlestar series, which I enjoyed, the FTL evidently ran on coal and magic.  Instant transfer from point to point, and kinda cool, but required miners and a refinery ship.  Did it matter how it worked?  Perhaps the ‘how’ shouldn’t be important – it could be a drain on the story being bogged down in the tech.  It is a balancing act, and my thought is that the tech should make sense, there will always be a little magic sprinkled in, the tech should help to advance the plot when needed, but the story is about characters and conflicts.

    So, no I’m not going to have something called a ‘warp drive’.  Orson Scott Card says that is a quick way to get yourself labeled as an amateur.  I don’t think “hyperdrive” is any better, personally, and that was his choice.  It is meaningless, but perhaps a throwaway word is fine for most stories.  A ‘warp’ drive at least implies the warping of space to achieve FTL.  There is certainly a lot to think about.

    FTL is central to the plot in my first novel, so the physics and the tech is something I’ve been putting a lot of mental effort into creating.  You’ll just have to wait and see how it all turns out!


  • Story Engineering

    I’ve certainly gotten a lot out of the books I’ve read on the craft of writing.  The latest book I’m reading is “Story Engineering” by Larry Brooks.  It is very much too-the-point and practical.  As a programmer, engineer, and computer scientist, I think this book has clicked with me the most.  I see how things are engineered from the ground-up, and I appreciate building things logically, of constructing – engineering – the story from the ground up.  The need for that structure is likely what drove me into reading so much the last couple months; I had a need to understand more so that I could build this novel like I’ve built so many other things.  But I also feel that structure can stifle some creativity.  There needs to be balance in all things.

    In examining the books of others over the years I always thought that you would have to start with the end in mind.  That each plot twist and turn would need to be developed meticulously and then weaved into the storyline.  The small details are developed as you go, but on a macro level you need to drive like you have a map rather than only as far as your headlights can see.  I think the truth for me is somewhere between the engineered story and writing by the seat of your pants.  ”Pantsing” as Mr. Brooks calls it.

    Ray Bradbury wrote the first draft of “Fahrenheit  451″ in one shot over 9 days on a typewriter he rented for 10 cents a half-hour.  Stephen King is a complete ‘pantser’, that is his process, and that works for him.  I’m not a King fan, mostly because I’m not a horror genre fan typically, and I tend to like things that are technological and that make sense.  Too many of his things end up not making sense at the end, a bug in a cave.  But perhaps that is the nature of supernatural fantasies.  I haven’t tried his non-horror books, perhaps some day, but not really my thing.  Ray Bradbury’s “Zen in the Art of Writing:Essays on Creativity” is next on my list to read and on its way.  Stephen King’s “On Writing” has been mentioned repeatedly in other writing books and I may have to give that a look some day.  No matter what, I always learn.

     

     


  • Write one page at a time…

    On thing that I’ve appreciated a lot in the books and articles that I’ve read is all of the practical experiences people have had as they developed and sold their books (and on occasion not sold, as the case may be).

    One recurring theme in many things I’ve read is that the first draft really needs to be just for you, the writer.  It is very freeing to read, over and over, that your first draft will likely be terrible and that you must give yourself permission to write badly, to let go of perfection, to write and get it done.  No self-editing, no endless loop of  write and rewrite.  Just write.  It is liberating.

    I enjoyed reading this article, “Tough Lessons from a Debut Novelist.”  Reading of the struggles, and the rookie mistakes, of others is a great reality-check on expectations, and a helpful guide so that I can better avoid those mistakes.  The lessons from the article are:

    • “Prior success and credentials won’t get you published. (Unless you are a celebrity.)”
    • “If you build it, they will come doesn’t apply to fiction writing.”
    • “But first, you must build it.”
    • “Write one page at a time”
    • “Turn off your self-critic.”
    • “A frustrated protagonist is a happy reader.”
    • “The antagonist must oppose the central aim of the protagonist.”
    • “The purpose of fiction is to entertain not to educate.”

    I hope the list here will pique your interest enough to give the article a look.  Like a quotation, each lesson listed is a little nugget of wisdom and experience, something to contemplate.

    Rookie Mistakes

    Sharing my thoughts, plans, plot for the book and early chapters, is a rookie mistake.  Some authors do share, they bounce ideas, and I do find that useful with certain people.  Sharing with a wider audience, though,  gives feedback that is more likely to lead me to avoid certain possibilities as I move forward, and to perhaps be less-bold and hesitant.  That is my failing, not theirs.  Not everyone is going to like each plot point, and will likely have their own ideas of how things should have panned-out.  That is not my story, however.  It is just too early at this point to share – I need to keep it my thoughts, my creation.

    That said, I’ve always gone with the think-tank mentality that “there are no bad ideas”, and ideas can come from anywhere.   I’m working in isolation then I may close myself off from other options, however I can’t see anything getting done by committee.   You need to turn off not only the self-critic, but also the outside critics.

    I’m of the mind that when you have a goal you need to put that goal out there, make it public,  so you can get the support and the social pressure to help to achieve that goal.  My goal is public and I’ll share the progress towards accomplishing my goal, but for now the story will be just for me.



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